A Lesson in Trust

The second film I checked out this week was entitled Benjamin Smoke and follows the singularly named Benjamin, lead singer of the infamous and little known musical ensemble, Smoke. Benjamin (no last name) was an HIV-positive, drug-using, song-writing, drag-wearing, all-around grade-A American man.

The film delves into the darkest corners of Benjamin's life, from his first experiments with drag, the history of his drug use, and the journey of Smoke. His story is a fascinating one, and Benjamin is incredibly open about these terrifying, tragic and often ironically funny parts of his life. I'm incredibly impressed with his openness, and I wonder how much of the film was dependent on the filmmakers' connection to the subject. There is immense trust between Benjamin and the camera, and the audience is privileged to get so close to such an interesting character.

The film's footage is comprised of dozens of interviews with Benjamin in his house, his hometown of Cabbagetown and throughout his tours with Smoke. Most of the film is shot on film - 16mm, Super 8 - with bits of Hi-8 and DV footage taken over years of collection and interviews and following Benjamin. Despite the simplicity of the footage, the editing style and narrative construction brings it all together rather poetically, and the aged look of the footage shines through rather than falling apart over time.

I don't want to give too much away about the film, but if you get the chance and are interested in music, drugs, queer cinema or just looking for a fun, insightful movie, check out Benjamin Smoke.